Noel Fielding
Creative parkour-based paper motion reel
Werd 
Site of the day.
*Special thanks to Marc for sending this one my way.
![Instead of contemplating the void of the Guggenheim museum’s central space, JDS Architects have proposed an experience which sees a trampoline net spiraling down the institution’s rotunda. This idea plays on Frank lloyd Wright’s original scenography for the Guggenheim in which he envisioned patrons visiting the exhibition from the top, downwards. [via.]](http://25.media.tumblr.com/tumblr_kxigth02861qzpvhao1_500.jpg)
Instead of contemplating the void of the Guggenheim museum’s central space, JDS Architects have proposed an experience which sees a trampoline net spiraling down the institution’s rotunda. This idea plays on Frank lloyd Wright’s original scenography for the Guggenheim in which he envisioned patrons visiting the exhibition from the top, downwards. [via.]
Assassin’s Creed II: Discovery is finally out and if you liked the first one, chances are you’ll love the second (I certainly do). Better controls, better missions, and a whole new style. Apparently, it’s very similar to the Nintendo DS version but for a fraction of the cost. They also got a 30% off limited time offer going on right now. Buy it here.
Song of the day: “Undercover” by Two Door Cinema Club
My new favorite band.
“Login to Twitter. Login to Facebook. What you see is a world that you’ve constructed. These are YOUR “Friends”, the people you’ve chosen to follow. Or at least the people you’ve been guilted into following. These people shape your experiences of social media. They speak about things that matter to you, either because you know them personally or because you like the way they think. They speak like you. Or, more accurately, you speak like them. Cause even though you might think you’re speaking to your “audience,” your sense of norms is based on the content you read. So, really, you’re speaking to the people you follow, even though they might not be the ones who are actually listening. You aren’t speaking to your “audience” but to the people who you like to watch. Your sense of what people do with social media is highly dependent on what you consume, how you consume it, and why you’re there in the first place. So is mine. The world you live in online looks different than the world I live in. And it looks different than the world that an average teen lives in. And it looks different than the world Lady Gaga lives in. And it looks different than the world that people from different cultural backgrounds experience. Our worlds are different, even if the interface gives us the impression that they’re the same.”
- Danah Boyd
32-flavors asked: Have you tried sleeping pills to help you sleep? Or are you trying not to resort to that yet? Try having some decaf tea at night. It always puts me out when I want to go to sleep.
Yeah, I’d prefer to leave pills as the ultimate last resort. Also, I don’t like tea. It’s a shame, I know. ::sigh:: I wish I did though.
Hollllllyyy shiiiitttt. This is beautiful. God, I would kill to have a closet like this.
Five Facts About Tim Burton's 'Alice in Wonderland'
Fact #1: It Won’t Be Like Any Other Adaptation You’ve Ever Seen
Because, frankly, Tim Burton wasn’t impressed with them. “All the other versions of Alice I’ve seen were lacking a narrative dynamic,” he tells RT. “They were just a series of absurdist tales with one weird character after another and not too much of a context. So you watch it thinking, ‘Oh, that’s weird,’ and ‘Yeah, that’s strange,’ without ever paying attention to the story plot points.”
How is Burton’s Alice going to avoid those pitfalls? “We tried to give all of the characters a bit more of a foundation and a more simple, grounded story to work off all the weird stuff,” he explains. “I mean, they’re obviously all mad. But we have tried to give each of them a particular madness and a bit more depth.”
Fact #2: The Effects Were Trial and Error
Or, as Burton likes to call it: “an organic process.” In fact, the effects crew actually filmed scenes using expensive Zemeckis-style motion capture technology, before discarding the whole lot. “We suited the Tweedles (Matt Lucas) and the Knave of Hearts (Crispin Glover) for motion capture,” explains animation supervisor David Schaub. “The Knave is eight feet tall so we thought that motion capture would be the best method. But Crispin had to be on stilts for eye line purposes, so all of the captured images looked like a guy on stilts. It was clunky.” Was it frustrating to have to throw away the footage? “It’s Tim’s choice,” shrugs Schaub. “He knows what’s out there and he makes choices based on the films he sees and the techniques used.”
There must have been some heated debates with the effects team? “We discussed what we like and don’t like about motion capture,” admits Burton. “Personally, I think it looks weird.”
Fact #3: You Won’t Know What’s Real and What Isn’t
“We basically have three live-action characters,” explains David Schaub. “They are Alice (Wasikowska), The Mad Hatter (Depp) and The White Queen (Anne Hathaway). The Tweedles and the Knave of Hearts are real heads blended onto animated bodies. That creates a special look that you won’t have seen before. It’s very cool. Meanwhile, Helena Bonham Carter’s character (The Red Queen) is an amalgamation of all kinds of different techniques, which we then distorted.” One of the most difficult characters to create, though, was The Cheshire Cat. “That was hard because he actually floats,” says Schaub. “So we had to think, if a cat could float, how would a cat float? Then he’s got this huge grin the whole time, which causes problems because he’s got to have emotions. But how do you make him anything other than happy when he’s got this permanent smile? It was intense.”
As for Wonderland itself, it’s almost entirely CGI. “There is one significant prop where Alice steps into Wonderland and goes down some stairs,” says Schaub. “That was an amazing piece of architecture. But everything else is a CG environment.”
The end result may look incredible, but do spare a thought for poor Mia Wasikowska. “It was three months of green screen,” she sighs. “So I had to try and keep the energy up and remember that there will be an animated character in front of me. But it’s hard when you’re acting opposite nothing but sticky tape and tennis balls.”
Fact #4: The Mad Hatter is Truly a Burton/Depp Creation
“It’s funny,” laughs costume designer Colleen Atwood, who has worked with Tim Burton on seven films over the past 20 years, including Edward Scissorhands, Big Fish and Sweeney Todd. “Tim, Johnny and I had all made sketches of what we thought the Mad Hatter should look like. Then, when we sat down to discuss it, we realised they were all really similar!” One of the most interesting things about the Mad Hatter’s costume is that it changes colour according to his mood. “It’s like a mood ring,” explains Atwood. “I made his suits in different colours, with layers of other colours, and then they enhanced it with CGI. It’s going to look really fun.”
Fact #5: Mia Wasikowska is the New Cate Blanchett
“She’s just an amazing young woman,” Atwood gushes to RT. “Her head is not up in the clouds and she’s a really hard worker with a great sense of humour — something you need on a film as crazy as this. She’s definitely channeling Cate Blanchett in the sense that both actresses are extremely talented but very grounded. Plus they’re both Australian.”
Tim Burton agrees: “Mia has an old soul, but there are elements of her that feel very young and naïve,” he explains. “She’s perfect to play Alice at this stage of her life because she is at a crossroads, and the film’s journey is her finding out who she is and what she wants. Although this is probably the weirdest, most abstract movie that she will ever be in. I mean, it’s weird even for me.”
With such effusive praise being ladled on her, is Wasikowska feeling the pressure? “A little bit,” she laughs, nervously. “I’m excited to see the finished product but, of course, there is a certain amount of anxiety that comes with it. Having said that, I have such faith in Tim and everybody on this film, so I’m not really worried.” [via.]
Barack Obama Does Play-by-Play at Georgetown
